The eagle-eyed reader will already have noticed that at some point since my last blog post (a mere 1,364 days ago), my website has undergone some major changes.
It’s not that I haven’t had any thoughts worth sharing during that interim. (And here, the discreet reader will refrain from commenting on the “share-worthiness” of any of the posts archived here.) It’s that, since 2020 or so, life has been… (checks notes) …pretty effed up. On a global level, we’ve had a pandemic, an unprovoked hostile invasion, and a genocide. Nationally we’ve had a couple of (may I say) horribly antagonistic presidential elections, neither of which seems to have had any significant effect at all on the 3,633 mass shootings we’ve experienced during those 5 years. And the fact that starting work toward a second Master’s Degree at age 50-something has unexpectedly provided a kind of respite from the stresses of some of the other goings-on in my particular sphere of life experience says less about the degree program than it does about my ability to manage stress. (Or, you know, not.)
My writing professor at Dickinson divided writers into two essential categories: “ekers” and “gushers.” I’m an eker—it takes me a loooooong time to fill a page, but the words that do make it to the screen are there because they’ve earned it, having been selected and contextualized and arranged internally before my fingers even began to move on the keyboard. (“Gushers” are the folx who can fill a page in minutes, gods love ’em, and then go back to edit, reorganize, and finalize at a more leisurely pace. Not that I’m jealous.) So for me, the act of writing usually requires a period of intense, focused thought. And that’s something I haven’t had the luxury of experiencing for a while now.
But sorry. This is a post about the website.
The site has more of a bent toward “David as teacher” than previous versions. While I’ve always “been a singer” (is that the underscoring to A Chorus Line I hear faintly in the background?), it hasn’t been until recent years that I’ve been lucky enough to work with voice teachers who, beyond being teachers I could respect professionally, were teachers I could respect as human beings. These are folx who approach education as a collaborative event. Folx who model fallibility, imperfection, and limitation as essential characteristics of mentorship. Folx who understand that my existence as a singer is—has to be—very different from their existence as a singer. Folx who are the kind of teacher—the kind of human—I would be proud to grow into.
I have the CCM Vocal Pedagogy Institute at Shenandoah Conservatory largely to thank. It was there that I had the opportunity to meet, learn from, and spend time with Alison Crockett, Ed Reisert, Jackie Zito, Jess Baldwin, Julie Dean, Kathryn Green, Marcelle Gauvin, Marci Rosenberg, and of course the inimitable Matt Edwards. These, to the one, are teachers who put the humanity of their students first, and adapt their curricula to fit the student. They understand that great art comes from whole humans, and that technique is meaningless without artistry and integrity. They’ve made it possible encouraged me to grow more confident in my own competency (and unique giftedness) as a voice teacher, and been generous in sharing the techniques, images, and strategies that have served them well through their own careers. Thanks largely to these folx, “voice teacher” is an identity I’m growing quite comfortable with, and quite proud of.
Oops. Sorry again. Website.
Why the change? Well, websites (like many systems) don’t usually so much change over time, as they do add new code to tweak and correct and hide the effects of old code. (I’m reminded of the time, early in my life as a licensed [pre-GPS] driver, when I drove from Baltimore to Washington by first driving to my home in Columbia—two routes I knew well—rather than simply learning the “new” route that would have saved me 30 minutes.) So it’s important sometimes to take stock of the things one wants to preserve, and then start from scratch with those essentials, letting the clutter disappear into the past. The site should be running a little faster now, and while I’ll probably continue to make occasional style tweaks for a while as whims direct, it feels good to have a fresh, clean palette to work with.
Not that any of us could benefit from applying that metaphor to other areas of our lives.
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