Blog

When all else fails…

The eagle-eyed read­er will already have noticed that at some point since my last blog post (a mere 1,364 days ago), my web­site has under­gone some major changes.

It’s not that I haven’t had any thoughts worth shar­ing dur­ing that inter­im.  (And here, the dis­creet read­er will refrain from com­ment­ing on the “share-wor­thi­­ness” of any of the posts archived here.)  It’s that, since 2020 or so, life has been… (checks notes) …pret­ty effed up.  On a glob­al lev­el, we’ve had a pan­dem­ic, an unpro­voked hos­tile inva­sion, and a geno­cide.  Nation­al­ly we’ve had a cou­ple of (may I say) hor­ri­bly antag­o­nis­tic pres­i­den­tial elec­tions, nei­ther of which seems to have had any sig­nif­i­cant effect at all on the 3,633 mass shoot­ings we’ve expe­ri­enced dur­ing those 5 years.  And the fact that start­ing work toward a sec­ond Mas­ter’s Degree at age 50-some­thing has unex­pect­ed­ly pro­vid­ed a kind of respite from the stress­es of some of the oth­er goings-on in my par­tic­u­lar sphere of life expe­ri­ence says less about the degree pro­gram than it does about my abil­i­ty to man­age stress.  (Or, you know, not.)

My writ­ing pro­fes­sor at Dick­in­son divid­ed writ­ers into two essen­tial cat­e­gories: “ekers” and “gush­ers.”  I’m an eker—it takes me a loooooong time to fill a page, but the words that do make it to the screen are there because they’ve earned it, hav­ing been select­ed and con­tex­tu­al­ized and arranged inter­nal­ly before my fin­gers even began to move on the key­board.  (“Gush­ers” are the folx who can fill a page in min­utes, gods love ’em, and then go back to edit, reor­ga­nize, and final­ize at a more leisure­ly pace.  Not that I’m jeal­ous.)  So for me, the act of writ­ing usu­al­ly requires a peri­od of intense, focused thought.  And that’s some­thing I haven’t had the lux­u­ry of expe­ri­enc­ing for a while now.

But sor­ry.  This is a post about the web­site.

The site has more of a bent toward “David as teacher” than pre­vi­ous ver­sions.  While I’ve always “been a singer” (is that the under­scor­ing to A Cho­rus Line I hear faint­ly in the back­ground?), it has­n’t been until recent years that I’ve been lucky enough to work with voice teach­ers who, beyond being teach­ers I could respect pro­fes­sion­al­ly, were teach­ers I could respect as human beings.  These are folx who approach edu­ca­tion as a col­lab­o­ra­tive event.  Folx who mod­el fal­li­bil­i­ty, imper­fec­tion, and lim­i­ta­tion as essen­tial char­ac­ter­is­tics of men­tor­ship.  Folx who under­stand that my exis­tence as a singer is—has to be—very dif­fer­ent from their exis­tence as a singer.  Folx who are the kind of teacher—the kind of human—I would be proud to grow into.

I have the CCM Vocal Ped­a­gogy Insti­tute at Shenan­doah Con­ser­va­to­ry large­ly to thank.  It was there that I had the oppor­tu­ni­ty to meet, learn from, and spend time with Ali­son Crock­ett, Ed Reis­ert, Jack­ie Zito, Jess Bald­win, Julie Dean, Kathryn Green, Mar­celle Gau­vin, Mar­ci Rosen­berg, and of course the inim­itable Matt Edwards.  These, to the one, are teach­ers who put the human­i­ty of their stu­dents first, and adapt their cur­ric­u­la to fit the stu­dent.  They under­stand that great art comes from whole humans, and that tech­nique is mean­ing­less with­out artistry and integri­ty.  They’ve made it pos­si­ble encour­aged me to grow more con­fi­dent in my own com­pe­ten­cy (and unique gift­ed­ness) as a voice teacher, and been gen­er­ous in shar­ing the tech­niques, images, and strate­gies that have served them well through their own careers.  Thanks large­ly to these folx, “voice teacher” is an iden­ti­ty I’m grow­ing quite com­fort­able with, and quite proud of.

Oops.  Sor­ry again.  Web­site.

Why the change?  Well, web­sites (like many sys­tems) don’t usu­al­ly so much change over time, as they do add new code to tweak and cor­rect and hide the effects of old code.  (I’m remind­ed of the time, ear­ly in my life as a licensed [pre-GPS] dri­ver, when I drove from Bal­ti­more to Wash­ing­ton by first dri­ving to my home in Columbia—two routes I knew well—rather than sim­ply learn­ing the “new” route that would have saved me 30 min­utes.)  So it’s impor­tant some­times to take stock of the things one wants to pre­serve, and then start from scratch with those essen­tials, let­ting the clut­ter dis­ap­pear into the past.  The site should be run­ning a lit­tle faster now, and while I’ll prob­a­bly con­tin­ue to make occa­sion­al style tweaks for a while as whims direct, it feels good to have a fresh, clean palette to work with.

Not that any of us could ben­e­fit from apply­ing that metaphor to oth­er areas of our lives.

Older posts

Middle C is our Note of the Month!

Middle C is our Note of the Month!

I’m thrilled to announce that, start­ing this month, all of my stu­dents will be invit­ed to par­tic­i­pate in a new pro­gram I call “Note of the Month.”  Because we all—whether we’re singers, pianists, song­writ­ers, or actors—use the same spec­trum of sound as the medi­um for our art-mak­ing, it’s impor­tant…

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And the winner is…

And the winner is…

I wrote the fol­low­ing as an “open-ish” let­ter to the cast of a high-school show I music-direct­ed back in 2014, and orig­i­nal­ly shared it with them as a post to the cast Face­book group, on the day of the “Apol­lo Awards,” a local fundrais­er event that mim­ics the Tony Awards, but for high-school…

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Six Questions (you should always know the answers to)

Six Questions (you should always know the answers to)

My good friend, the amaz­ing­ly and mul­ti-faceted­ly impres­sive Sarah Jebian, recent­ly asked some of her col­leagues if they’d be will­ing to write blog posts that Sarah could share with her voice and act­ing stu­dents in her month­ly newslet­ter.  Here’s mine:I saw it com­ing.  I knew a sol­id 8 bars before…

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The Why

The Why

Every year the day I get the “tes­ti­mo­ni­al” inter­views back from the video­g­ra­phers takes me by sur­prise.  It’s been a few weeks, by then, since the fren­zy of prepa­ra­tions for DMGS3 reached its zenith and quick­ly sub­sided and I crashed into bed with a huge, relieved sigh of “DONE!” and fell deeply…

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The Christmas song nobody ever thought I’d write

The Christmas song nobody ever thought I’d write

After last year’s Christ­mas post, one could be for­giv­en for respond­ing to this news with a bit of (good-natured, I’d hope) rib­bing, but: I’ve just writ­ten a new Christ­mas song. The world, you see, is full of un-beau­ti­ful stuff right now.  And while I do still firm­ly believe that the con­tem­po­rary…

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Why I keep coming out

Why I keep coming out

I am not good at hol­i­days. I lack that (hon­or­able, healthy, and near-uni­ver­sal) human char­ac­ter­is­tic that moti­vates peo­ple to sched­ule time off, to pause from dai­ly rou­tines, and to take spe­cial note of his­tor­i­cal events on their anniver­saries. So Nation­al Com­ing Out Day takes me by sur­prise when…

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I hate Christmas.*

I hate Christmas.*

There are so many things I hate about Christ­mas, that I strug­gle to list them in order of hat­ed­ness.  Grant­ed, I can name three or four things I hate about Christ­mas at a momen­t’s notice, any day of the year, but when I real­ly sit down to focus my un-char­i­tabil­i­ty toward the hol­i­day?  Hoo boy. …

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Real-life heroes

Real-life heroes

Today at UUCV we’ll be com­mem­o­rat­ing Nation­al Trans­gen­der Day of Remem­brance.  (What’s that?  Take a look, but not if you need to put on your hap­py face any time in the next few hours.) I am pleased about one thing: I’ve used Namoli Bren­net’s music in wor­ship enough over the last year that I feel…

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This guy…

This guy…

Some­times some­one cross­es your path and you con­nect for rea­sons you can’t explain.  So… there’s this guy.  Gabe.  I’ll write more about him some­day, I’m sure, but now isn’t the time.  (We have a class to pre­pare for.) For today, on his 16th birth­day, here’s our rela­tion­ship boiled down into one…

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Of wrong and right

Of wrong and right

There must be some­thing in the air. Sev­er­al times this week I’ve paused in the mid­dle of teach­ing to inter­rupt a stu­den­t’s spi­ral of self-dep­re­ca­tion and frus­tra­tion.  The spi­ral is easy to rec­og­nize, either by the words that accom­pa­ny it— “This does­n’t sound right.” … “That note is so high!” ……

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The re-closeting of America

The re-closeting of America

I should start by say­ing, I total­ly get it.  When com­fort­able white lib­er­als say that Trump vot­ers are not wel­come in their homes, or issue self-right­eous screeds about how their out­rage isn’t about politics—and per­haps espe­cial­ly when dudes who remind me of me in a lot of impor­tant ways demand…

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What the world needs now

What the world needs now

I can’t.  I’m sor­ry.  Bas­ta.  I’ve tried, but I can’t. I just can’t keep the brave face on all the time.  I can’t have the right words at the ready all the time.  Some­times I can’t keep the wrong words from spew­ing out of my mouth (or, more like­ly, my fin­gers) in a moment of anger.  I don’t always…

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Substantive danger (or, why I took the bumper stickers off my car)

Substantive danger (or, why I took the bumper stickers off my car)

“I think prej­u­dice is the stu­pid­est thing on the plan­et,” said come­di­an Lewis Black many years ago.  “There are so many per­fect­ly valid rea­sons to hate peo­ple on an indi­vid­ual basis.”*  And I’ll be the first to admit that there are some self-absorbed, atten­tion-crav­ing, ener­gy-sap­ping,…

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Silence (and other figments of our imagination)

Silence (and other figments of our imagination)

Once a year or so, Rev. Aija lets me take the reins (and the pul­pit) for what we call “Music Sunday”—a wor­ship expe­ri­ence that’s all about music, except when it’s not.  Com­ing up with a theme for Music Sun­day is always pret­ty easy—there’s always a song I’ve want­ed to find an excuse for the choir…

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(Im)perfection

(Im)perfection

You’d think, for all the times I’d shout­ed “STRONG AND WRONG!!!” at my stu­dents with clenched fists in the air and mock rage on my face, that I’d be bet­ter at it. But every time I get ready to upload a new record­ing to my Demo Record­ings page, the script starts again: “Is this real­ly ready to…

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Life, love, and Pippin

Life, love, and Pippin

My good friend Jere­my Pat­ter­son has a new YouTube inter­view show called the Cap­i­tal Area The­atre Show.  Guess who he invit­ed to be his sec­ond-ever inter­vie­wee? Tune in below or on the show’s YouTube chan­nel to hear our milk­shake-fueled con­ver­sa­tion about art and life and idols and dreams and fears…

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…and then there were three.

…and then there were three.

Have you been wait­ing anx­ious­ly for the other—er, third—shoe to drop?  Rejoice!  The third and final move­ment of the Mozart 4‑hands piano sonata I’ve been seri­al­ly shar­ing is here at last! I’m still mulling over an addi­tion­al piece to include in the “Piano Cov­ers” sec­tion of my Demo Record­ings…

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Offend me. Please.

Offend me. Please.

I say a lot of things I have no right to say.  I’ve been known to com­ment on race (from a white per­spec­tive), nation­al­ism (from a US-native per­spec­tive), phys­i­cal dis­abil­i­ty (from an able-bod­ied per­spec­tive), gen­der iden­ti­ty (from a cis male per­spec­tive), reli­gion (from a…

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Moody Monday Mozart

Moody Monday Mozart

On Thurs­day I shared a new record­ing of the first move­ment of Mozart’s D Major Sonata for piano 4‑hands, and warned promised that the lat­er move­ments would be forth­com­ing. Can you keep a secret? The sec­ond move­ment of that sonata is, I think, one of the most gor­geous piano move­ments ever writ­ten,…

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Snow-melt Mozart

Snow-melt Mozart

It’s bright and sun­ny here in Cen­tral Penn­syl­va­nia, and Snow­maged­don is clear­ly los­ing its grip on the ter­rain.  Some­thing about the sparkle and trick­le of melt­ing snow makes Mozart piano music seem “just right” today, so I’m delight­ed to announce that I’ve uploaded my sec­ond demo record­ing: the…

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A little night music

A little night music

One of the things I love most about my career is that I get to expe­ri­ence a nev­er-end­ing stream of new repertory—between my work at UUCV, at Open Stage, at CASA, and else­where, I nev­er have time to get bored with the mate­r­i­al I’m work­ing on!  The down­side to this excite­ment is that I sel­dom have…

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Roots & shale

Roots & shale

There’s a trail near my house.  I’ve known of its exis­tence since we moved in near­ly a decade ago—its entrance is marked by a charm­ing­ly rus­tic carved wood­en sign—but it was only under the scent-moti­vat­ed encour­age­ment of Jack­ie (the retriev­er mix also known as my par­ents’ favorite child) that I…

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Levator veli palatini

Levator veli palatini

It sounds like a Har­ry Pot­ter spell, does­n’t it?  It’s not, but it can have a mag­i­cal effect on the demeanor of a begin­ning singer.  So many of the most com­mon chal­lenges for singers are sim­ply mat­ters of acoustics: the physics of how sound bounces around (or does­n’t) on its way out of your face.…

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The insecurity of snowflakes

The insecurity of snowflakes

I used to car­ry a cof­fee mug around the music build­ing at Dick­in­son.  On it was a love­ly pho­to of sev­er­al snowflakes, with the cap­tion, “Always remem­ber that you are unique.  Just like every­body else.” One of the things I love most about teach­ing is the way it reminds me (on my best days, of…

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