Blog
When all else fails…
The eagle-eyed reader will already have noticed that at some point since my last blog post (a mere 1,364 days ago), my website has undergone some major changes.
It’s not that I haven’t had any thoughts worth sharing during that interim. (And here, the discreet reader will refrain from commenting on the “share-worthiness” of any of the posts archived here.) It’s that, since 2020 or so, life has been… (checks notes) …pretty effed up. On a global level, we’ve had a pandemic, an unprovoked hostile invasion, and a genocide. Nationally we’ve had a couple of (may I say) horribly antagonistic presidential elections, neither of which seems to have had any significant effect at all on the 3,633 mass shootings we’ve experienced during those 5 years. And the fact that starting work toward a second Master’s Degree at age 50-something has unexpectedly provided a kind of respite from the stresses of some of the other goings-on in my particular sphere of life experience says less about the degree program than it does about my ability to manage stress. (Or, you know, not.)
My writing professor at Dickinson divided writers into two essential categories: “ekers” and “gushers.” I’m an eker—it takes me a loooooong time to fill a page, but the words that do make it to the screen are there because they’ve earned it, having been selected and contextualized and arranged internally before my fingers even began to move on the keyboard. (“Gushers” are the folx who can fill a page in minutes, gods love ’em, and then go back to edit, reorganize, and finalize at a more leisurely pace. Not that I’m jealous.) So for me, the act of writing usually requires a period of intense, focused thought. And that’s something I haven’t had the luxury of experiencing for a while now.
But sorry. This is a post about the website.
The site has more of a bent toward “David as teacher” than previous versions. While I’ve always “been a singer” (is that the underscoring to A Chorus Line I hear faintly in the background?), it hasn’t been until recent years that I’ve been lucky enough to work with voice teachers who, beyond being teachers I could respect professionally, were teachers I could respect as human beings. These are folx who approach education as a collaborative event. Folx who model fallibility, imperfection, and limitation as essential characteristics of mentorship. Folx who understand that my existence as a singer is—has to be—very different from their existence as a singer. Folx who are the kind of teacher—the kind of human—I would be proud to grow into.
I have the CCM Vocal Pedagogy Institute at Shenandoah Conservatory largely to thank. It was there that I had the opportunity to meet, learn from, and spend time with Alison Crockett, Ed Reisert, Jackie Zito, Jess Baldwin, Julie Dean, Kathryn Green, Marcelle Gauvin, Marci Rosenberg, and of course the inimitable Matt Edwards. These, to the one, are teachers who put the humanity of their students first, and adapt their curricula to fit the student. They understand that great art comes from whole humans, and that technique is meaningless without artistry and integrity. They’ve made it possible encouraged me to grow more confident in my own competency (and unique giftedness) as a voice teacher, and been generous in sharing the techniques, images, and strategies that have served them well through their own careers. Thanks largely to these folx, “voice teacher” is an identity I’m growing quite comfortable with, and quite proud of.
Oops. Sorry again. Website.
Why the change? Well, websites (like many systems) don’t usually so much change over time, as they do add new code to tweak and correct and hide the effects of old code. (I’m reminded of the time, early in my life as a licensed [pre-GPS] driver, when I drove from Baltimore to Washington by first driving to my home in Columbia—two routes I knew well—rather than simply learning the “new” route that would have saved me 30 minutes.) So it’s important sometimes to take stock of the things one wants to preserve, and then start from scratch with those essentials, letting the clutter disappear into the past. The site should be running a little faster now, and while I’ll probably continue to make occasional style tweaks for a while as whims direct, it feels good to have a fresh, clean palette to work with.
Not that any of us could benefit from applying that metaphor to other areas of our lives.
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Older posts
Middle C is our Note of the Month!
I’m thrilled to announce that, starting this month, all of my students will be invited to participate in a new program I call “Note of the Month.” Because we all—whether we’re singers, pianists, songwriters, or actors—use the same spectrum of sound as the medium for our art-making, it’s important…
And the winner is…
I wrote the following as an “open-ish” letter to the cast of a high-school show I music-directed back in 2014, and originally shared it with them as a post to the cast Facebook group, on the day of the “Apollo Awards,” a local fundraiser event that mimics the Tony Awards, but for high-school…
Six Questions (you should always know the answers to)
My good friend, the amazingly and multi-facetedly impressive Sarah Jebian, recently asked some of her colleagues if they’d be willing to write blog posts that Sarah could share with her voice and acting students in her monthly newsletter. Here’s mine:I saw it coming. I knew a solid 8 bars before…
The Why
Every year the day I get the “testimonial” interviews back from the videographers takes me by surprise. It’s been a few weeks, by then, since the frenzy of preparations for DMGS3 reached its zenith and quickly subsided and I crashed into bed with a huge, relieved sigh of “DONE!” and fell deeply…
The Christmas song nobody ever thought I’d write
After last year’s Christmas post, one could be forgiven for responding to this news with a bit of (good-natured, I’d hope) ribbing, but: I’ve just written a new Christmas song. The world, you see, is full of un-beautiful stuff right now. And while I do still firmly believe that the contemporary…
Why I keep coming out
I am not good at holidays. I lack that (honorable, healthy, and near-universal) human characteristic that motivates people to schedule time off, to pause from daily routines, and to take special note of historical events on their anniversaries. So National Coming Out Day takes me by surprise when…
I hate Christmas.*
There are so many things I hate about Christmas, that I struggle to list them in order of hatedness. Granted, I can name three or four things I hate about Christmas at a moment’s notice, any day of the year, but when I really sit down to focus my un-charitability toward the holiday? Hoo boy. …
Real-life heroes
Today at UUCV we’ll be commemorating National Transgender Day of Remembrance. (What’s that? Take a look, but not if you need to put on your happy face any time in the next few hours.) I am pleased about one thing: I’ve used Namoli Brennet’s music in worship enough over the last year that I feel…
This guy…
Sometimes someone crosses your path and you connect for reasons you can’t explain. So… there’s this guy. Gabe. I’ll write more about him someday, I’m sure, but now isn’t the time. (We have a class to prepare for.) For today, on his 16th birthday, here’s our relationship boiled down into one…
Of wrong and right
There must be something in the air. Several times this week I’ve paused in the middle of teaching to interrupt a student’s spiral of self-deprecation and frustration. The spiral is easy to recognize, either by the words that accompany it— “This doesn’t sound right.” … “That note is so high!” ……
The re-closeting of America
I should start by saying, I totally get it. When comfortable white liberals say that Trump voters are not welcome in their homes, or issue self-righteous screeds about how their outrage isn’t about politics—and perhaps especially when dudes who remind me of me in a lot of important ways demand…
What the world needs now
I can’t. I’m sorry. Basta. I’ve tried, but I can’t. I just can’t keep the brave face on all the time. I can’t have the right words at the ready all the time. Sometimes I can’t keep the wrong words from spewing out of my mouth (or, more likely, my fingers) in a moment of anger. I don’t always…
Substantive danger (or, why I took the bumper stickers off my car)
“I think prejudice is the stupidest thing on the planet,” said comedian Lewis Black many years ago. “There are so many perfectly valid reasons to hate people on an individual basis.”* And I’ll be the first to admit that there are some self-absorbed, attention-craving, energy-sapping,…
Silence (and other figments of our imagination)
Once a year or so, Rev. Aija lets me take the reins (and the pulpit) for what we call “Music Sunday”—a worship experience that’s all about music, except when it’s not. Coming up with a theme for Music Sunday is always pretty easy—there’s always a song I’ve wanted to find an excuse for the choir…
(Im)perfection
You’d think, for all the times I’d shouted “STRONG AND WRONG!!!” at my students with clenched fists in the air and mock rage on my face, that I’d be better at it. But every time I get ready to upload a new recording to my Demo Recordings page, the script starts again: “Is this really ready to…
Life, love, and Pippin
My good friend Jeremy Patterson has a new YouTube interview show called the Capital Area Theatre Show. Guess who he invited to be his second-ever interviewee? Tune in below or on the show’s YouTube channel to hear our milkshake-fueled conversation about art and life and idols and dreams and fears…
…and then there were three.
Have you been waiting anxiously for the other—er, third—shoe to drop? Rejoice! The third and final movement of the Mozart 4‑hands piano sonata I’ve been serially sharing is here at last! I’m still mulling over an additional piece to include in the “Piano Covers” section of my Demo Recordings…
Offend me. Please.
I say a lot of things I have no right to say. I’ve been known to comment on race (from a white perspective), nationalism (from a US-native perspective), physical disability (from an able-bodied perspective), gender identity (from a cis male perspective), religion (from a…
Moody Monday Mozart
On Thursday I shared a new recording of the first movement of Mozart’s D Major Sonata for piano 4‑hands, and warned promised that the later movements would be forthcoming. Can you keep a secret? The second movement of that sonata is, I think, one of the most gorgeous piano movements ever written,…
Snow-melt Mozart
It’s bright and sunny here in Central Pennsylvania, and Snowmageddon is clearly losing its grip on the terrain. Something about the sparkle and trickle of melting snow makes Mozart piano music seem “just right” today, so I’m delighted to announce that I’ve uploaded my second demo recording: the…
A little night music
One of the things I love most about my career is that I get to experience a never-ending stream of new repertory—between my work at UUCV, at Open Stage, at CASA, and elsewhere, I never have time to get bored with the material I’m working on! The downside to this excitement is that I seldom have…
Roots & shale
There’s a trail near my house. I’ve known of its existence since we moved in nearly a decade ago—its entrance is marked by a charmingly rustic carved wooden sign—but it was only under the scent-motivated encouragement of Jackie (the retriever mix also known as my parents’ favorite child) that I…
Levator veli palatini
It sounds like a Harry Potter spell, doesn’t it? It’s not, but it can have a magical effect on the demeanor of a beginning singer. So many of the most common challenges for singers are simply matters of acoustics: the physics of how sound bounces around (or doesn’t) on its way out of your face.…
The insecurity of snowflakes
I used to carry a coffee mug around the music building at Dickinson. On it was a lovely photo of several snowflakes, with the caption, “Always remember that you are unique. Just like everybody else.” One of the things I love most about teaching is the way it reminds me (on my best days, of…